Cinematicalhttp://www.cinematical.comCinematicalhttp://www.cinematical.com/media/feedlogo.gifCinematicalhttp://www.cinematical.comen-usCopyright 2009 Weblogs, Inc. The contents of this feed are available for non-commercial use only.Blogsmith http://www.blogsmith.com/Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'http://www.cinematical.com/2009/11/25/indie-roundup-sweetgrass-clarkworld-broken-embraces/http://www.cinematical.com/2009/11/25/indie-roundup-sweetgrass-clarkworld-broken-embraces/http://www.cinematical.com/2009/11/25/indie-roundup-sweetgrass-clarkworld-broken-embraces/#commentsFiled under: , , , , , ,

Cinematical's Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'

Indie Roundup gathers a selection of indie film news from the past seven days and offers a peek ahead to what's coming.

Deal. Do not despair that the first month of the new year will be filled solely with the expansion of award contenders. Distribution rights in the US for Sweetgrass have been acquired by The Cinema Guild, according to indieWIRE, and the documentary will open at Film Forum in Manhattan on January 6, followed by a rollout across the country.

Directed by Ilisa Barbasch and Lucien Castaing-Taylor, Sweetgrass "follows the last sheepherders to trail their flocks up into Montana's Beartooth mountains for summer pasture," per its official synopsis. After debuting at the Berlin Film Festival last year, the doc played the festival circuit quite successfully, picking up positive critical notices. Check out the splendid trailer in all its quiet, chud-chewing glory after the jump.

Online / On-Demand Viewing. Debuting on demand next Sunday, Clarkworld paints a portrait of filmmaker Bob Clark. Best known for his perennial holiday favorite A Christmas Story, Clark also made the groundbreaking Porky's, which set the tone for all raunchy teen comedies to come, and the significant slasher pic Black Christmas, another flick that was a trendsetter (or at least ripped off at will). Director Deren P. Abram talked with Peter Billingsley (former child star turned filmmaker), Kim Cattrall, Jon Voight, Denise Richards, Mary Steenburgen, John Saxon, Scott Baio, and other people who weren't even in any of his movies! We have the trailer for this one after the jump, too, which makes for an interesting contrast with the one for Sweetgrass. Look for the movie on cable systems via Cinetic FilmBuff.

After the jump: box office talk; trailers for Sweetgrass and Clarkworld.

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]]>Bad Lieutenant: Port of Call New OrleansBadLieutenant:PortOfCallNewOrleansbob clarkBobClarkbroken embracesBrokenEmbracesclarkworldderen abramDerenAbramfantastic mr foxFantasticMrFoxfeaturedindie weekend box officeIndieWeekendBoxOfficepedro almodovarPedroAlmodovarpreciousprecious moviePreciousMoviered cliffRedCliffsweetgrasssweetgrass the movieSweetgrassTheMoviePeter MartinWed, 25 Nov 2009 19:02:00 ESTNetflix and IFC Team Up for Streaming Indieshttp://www.cinematical.com/2009/11/20/netflix-and-ifc-team-up-for-streaming-indies/http://www.cinematical.com/2009/11/20/netflix-and-ifc-team-up-for-streaming-indies/http://www.cinematical.com/2009/11/20/netflix-and-ifc-team-up-for-streaming-indies/#commentsFiled under: , , , ,

NetflixNetflix knows where it's at when it comes to the rental biz; more and more, folks want to stay at home and watch movies instantly. We don't even want to wait for those happy little red envelopes any more. Nope, if it's not on our Xbox 360, PlayStation 3, or computer, we get all squirrelly. (Okay, maybe that last part is just me.) And IFC is also on the cutting edge of home entertainment in its steadily growing on-demand offerings, including their IFC Festival Direct program, where you can watch a selection of movies that have played during recent festivals, and the In Theaters + On Demand program, which offers at-home viewers the chance to see indie flicks the same day they premiere in what's usually limited release.

Now Netflix and IFC have sealed the deal for a partnership that gives Netflix access to 53 IFC releases to be streamed online to whichever platform you like, starting today.

I would guess that if this experiment takes off, we'll be seeing more IFC goodies on Netflix, but for now, you can see docs like The Thing Blue Line and Gates of Heaven; international films from Catherine Breillat, Christophe Honoré, and Alfonso Cuaron; and Joe Swanberg; and plenty of other flicks like The Brother from Another Planet, Nights and Weekends, and more. Check back later for the full list and more details on the launch of this new project.

Have you watched any of the IFC On Demand offerings, especially if they're for releases not otherwise available in your area? Do you think this is another death knell for the indie video store, or a really, really good idea to help spread the word about otherwise underseen independent films in a struggling market? Or both?

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]]>IFCNetflixnetflix playernetflix streamingnetflix watch instantlyNetflixPlayerNetflixStreamingNetflixWatchInstantlyon demandOnDemandJenni MillerFri, 20 Nov 2009 16:32:00 ESTBrett Ratner to Americanize Bollywood for Ushttp://www.cinematical.com/2009/11/19/brett-ratner-to-americanize-bollywood-for-us/http://www.cinematical.com/2009/11/19/brett-ratner-to-americanize-bollywood-for-us/http://www.cinematical.com/2009/11/19/brett-ratner-to-americanize-bollywood-for-us/#commentsFiled under: , , ,

Variety is reporting that Brett Ratner has been hand-selected by Reliance Big Pictures to re-edit a forthcoming drama of theirs, Kites, in order to make the film more accessible to international audiences. Yes, the man who made the Rush Hour trilogy has been tapped to once again crush cultural barriers (assuming that's what Reliance thinks he did with those films). The production is being filmed in both Hindi and English, so it'll be Ratner's job to make sure that the English-language cut is attractive enough for a sales market outside of India, which will only be getting the Hindi cut.

And as odd as this news seems at first, the official synopsis for Kites does seem to fit Ratner's penchant for making broad-appeal films: "In the harsh terrain of the Mexican desert, a mortally wounded man is left for dead in the heat of the desert sun. This is J. Once a street smart, carefree young guy. Now, a wanted man. The only thing that keeps him alive is the quest to find the love of his life, Natasha. A woman engaged to another man, but surely destined for J. ... Kites is a story of love that goes beyond barriers, boundaries and cultures. It is a story of passion that defies every rule, of a relationship that takes two lovers on a thrilling journey filled with precious moments - and unexpected betrayal."

I say broad-appeal because that pitch reads an awful lot like Slumdog Millionaire, except without the mention of a game show. However it turns out in the end, it looks like this won't be the last time Ratner teams up with Reliance. Variety hints that re-editing Kites comes with the rights for Ratner to direct Youngblood, an adaptation of a graphic novel by Rob Liefeld... Ah, more films from the man who made X-Men 3, isn't that what we all need?

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]]>Brett RatnerBrettRatnerKitesRelianceReliance Big PicturesRelianceBigPicturesPeter HallThu, 19 Nov 2009 16:35:00 ESTGet Ready to See 'Agora' Early Next Yearhttp://www.cinematical.com/2009/11/19/get-ready-to-see-agora-early-next-year/http://www.cinematical.com/2009/11/19/get-ready-to-see-agora-early-next-year/http://www.cinematical.com/2009/11/19/get-ready-to-see-agora-early-next-year/#commentsFiled under: ,

There's nothing better than the times when you get to blog about good news, and I hope this is just another spoke in a continual cycle: Variety reports that Newmarket Films -- the peeps who handled The Passion of the Christ -- has scored the U.S. rights to Alejandro Amenabar's Agora, and plan to release the film during the first half of next year. This is the second '09 TIFF film they've nabbed, the first being Creation, although I have no idea what would lead them to the much chastised Darwin pick before Rachel Weisz and Hypatia.

As I mentioned in October, the film was a big, expensive risk, but seemed to be paying off. In four days, it earned the best opening weekend for 2009, over $10 million, and the second best opening in Spain ever. Now, it still holds onto the number one spot, and according to Box Office Mojo, has earned a healthy $16,698,345.

But it cost roughly $73 million, so there's still work to be done, which shouldn't be very hard for the U.S. market. $55 mil? We can do that! Really. Start planning now. It's well worth your time, whether you love historical epics, truly gorgeous filmmaking, cerebral cinema, or smart girls on the big screen. Go see it! Pretty please?

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]]>AgoraAlejandro AmenabarAlejandroAmenabarCinematicalRachel WeiszRachelWeiszMonika BartyzelThu, 19 Nov 2009 11:18:00 ESTIndie Roundup: 'Cracks,' 'Harry Brown' Deals and Trailershttp://www.cinematical.com/2009/11/18/indie-roundup-cracks-harry-brown-deals-and-trailers/http://www.cinematical.com/2009/11/18/indie-roundup-cracks-harry-brown-deals-and-trailers/http://www.cinematical.com/2009/11/18/indie-roundup-cracks-harry-brown-deals-and-trailers/#commentsFiled under: , , , , , , ,

Cinematical's Indie Roundup: 'Cracks,' 'Harry Brown'

Indie Roundup: Your quick guide to what's new and upcoming in the independent film community.

Deals. Our friends at indieWIRE report that Cracks has been acquired by IFC Films, which plans to release it next year via its IFC in Theaters platform. The film is the feature directorial debut of Jordan Scott, daughter of Ridley Scott. Eva Green (The Dreamers, Casino Royale) stars as a teacher and diving coach in an Irish boarding school for orphaned girls; Juno Temple, Imogen Poots, and Maria Valverde also star. "The trials and tribulations, for both the students and their unorthodox teacher," writes Kurt Halfyard at Twitch, "gradually are brought to a boil that subverts many of the typical paths in either a coming of age story or a typical 'school-girl dormitory' tale."

Michael Caine stars as Harry Brown, a retired Marine who determines to clean up his neighborhood after his best friend is killed. Samuel Goldwyn Films picked up theatrical rights to the thriller; indieWIRE notes that the film opened in the UK last weekend, though the US release date has not yet been announced. Daniel Barber directed. UK site Pure Movies calls Harry Brown "a superior offering - albeit a gritty and bleak one."

On Demand / Online Viewing. Check out On Hallowed Ground, available exclusively this month on Babelgum. Andre Braugher narrates the documentary, which explores Rucker Park, a basketball court in Harlem where legendary future NBA players, and those who should have been famous, once played. Speaking of gritty players, if you're curious to catch up with Troy Duffy's The Boondock Saints, it'll finally be coming to video on demand in January.

After the jump: watch trailers for Cracks (absolutely gorgeous) and Harry Brown (dark and intense)!

Continue reading Indie Roundup: 'Cracks,' 'Harry Brown' Deals and Trailers

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]]>cracksdaniel barberDanielBarbereva greenEvaGreenharry brownHarryBrownjordan scottJordanScottmichael caineMichaelCaineon hallowed groundOnHallowedGroundPeter MartinWed, 18 Nov 2009 19:03:00 ESTWhy Won't Anyone Make a Richard Linklater Film?http://www.cinematical.com/2009/11/17/richard-linklater-films-dazed-and-confused/http://www.cinematical.com/2009/11/17/richard-linklater-films-dazed-and-confused/http://www.cinematical.com/2009/11/17/richard-linklater-films-dazed-and-confused/#commentsFiled under: ,



If Richard Linklater did not exist, I would never have thought his fame would be possible. Here's a director who has found mainstream success in intellectual thought and aimlessness -- not something Hollywood usually takes kindly to.

Slacker earned raves, cult status, and inspired Kevin Smith to create Clerks. Dazed and Confused followed, quickly becoming one of the quintessential high school flicks, merging stoner simplicity with political and social discussion. Before Sunrise charmed audiences with romantic discussion, The Newton Boys revealed interests reaching beyond modern day, Waking Life took on rotoscoping to discuss philosophy, Before Sunset quickly became a widely loved talk-centric romance, then fast food and Philip K. Dick fare, and now time with Orson Welles. (Not to mention those penned by others, like the one-room drama Tape.)

Yet the guy can't catch a flipping break.

Continue reading Why Won't Anyone Make a Richard Linklater Film?

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]]>CinematicalDazed and ConfusedDazedAndConfusedfeaturedLiars A-ELiarsA-eRichard LinklaterRichardLinklaterSchool of Rock 2SchoolOfRock2Thats What Im Talking AboutThatsWhatImTalkingAboutMonika BartyzelTue, 17 Nov 2009 12:02:00 ESTMGM Studios Officially For Salehttp://www.cinematical.com/2009/11/16/mgm-studios-officially-for-sale/http://www.cinematical.com/2009/11/16/mgm-studios-officially-for-sale/http://www.cinematical.com/2009/11/16/mgm-studios-officially-for-sale/#commentsFiled under: , , , , , , , , ,

MGM Studios' financial troubles will soon be coming to a sad end. Back in September, it was reported that MGM was in such poor shape that they might be forced to auction off their assets, including James Bond and The Hobbit. That day has come to pass. Variety reports that MGM Studios is officially on the auction block.

MGM has been given a month of breathing space from their interest payments, time they plan on using to begin "a process to explore various strategic alternatives including operating as a standalone entity, forming strategic partnerships and evaluating a potential sale of the company."

But all hopes of survival may rest on what they sell off from their glorious history, including a library of 4,000 titles, the logo, the United Artists company, James Bond, and half ownership in The Hobbit. Time Warner, News Corp, and Lionsgate are said to be interested in all of the above.

As their library scatters to the four winds, it'll be really interesting to see what remakes and reboots it spawns. Remember, Robocop was on the MGM remake slate, and surely some hungry studio will snap that up. The Cannon Films and ITV Global Entertainment collections are just ripe for harvesting. Perhaps you'll finally see a Lifeforce movie, or a remake of Capricorn One, or an aspiring Tarantino type will buy up all those American International Picture rights and revive motorcycle gang movies. Sure, we all want to know who will wind up with James Bond, but it'll be far more fascinating if someone tries to remake Psych-Out. *


*It's possible this is considered one of AIP's "early" films, though it's unclear where that cut off date is.

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]]>Capricorn OneCapricornOnefeaturedJames BondJamesBondLifeforceMGMMGM assetsMGM financial woesMGM for saleMgmAssetsMgmFinancialWoesMgmForSalePsych-OutRobocopThe HobbitTheHobbitElisabeth RappeMon, 16 Nov 2009 09:45:00 ESTBlockbuster Really Wants Your Businesshttp://www.cinematical.com/2009/11/13/blockbuster-really-wants-your-business/http://www.cinematical.com/2009/11/13/blockbuster-really-wants-your-business/http://www.cinematical.com/2009/11/13/blockbuster-really-wants-your-business/#commentsFiled under: , ,

It's no secret that video retailer Blockbuster had a rough quarter. Their profits are dipping, stores are closing -- suffice to say things aren't looking good. But, the company is looking for new ways to compete with services like Netflix and Redbox and so they're getting into the digital content game. But, as some critics have pointed out, the results so far are lackluster to say the least. Blockbuster and NRC/MOD systems have announced the pilot of digital media kiosks where customers use an SD memory card to download movies and TV to take home to play on their TV with the aid of a proprietary device (provided to participants of the trial). But the kicker has to be that the content would be DRM protected and customers pay $1.99 for a movie that must be viewed within 30 days and is only viewable for 48 hours.

The digital download service is just the latest in Blockbuster's new strategy to hold on to customers by offering something other than the brick and mortar experience. Some of their other ideas have included DVD subscription services and DVD kiosks. Blockbuster is hoping these new services could reduce the effect that illegal downloading has cost their bottom line as well as open them up to new tech-savvy customers. I understand that Blockbuster needs to fight off the pirates like everybody else, but I doubt that products bogged down with DRM are going to persuade your average pirate to go legit. But on the upside, at least Blockbuster's latest scheme would mean that there's nothing to return, and you don't have to deal with receiving damaged or scratched discs -- but in the grand scheme of things, that ain't much.

If Blockbuster wants to live to fight another day, I think they are going to have to come up with something a lot better than this, don't you?

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]]>BlockbusterdownloadDRMdvdhome entertainmentHomeEntertainmentpiracyrentalsJessica BarnesFri, 13 Nov 2009 14:15:00 ESTDave Matthews, Gogol Bordello Are Larger Than Life in 3D HDhttp://www.cinematical.com/2009/11/12/dave-matthews-gogol-bordello-3d-concert-movies/http://www.cinematical.com/2009/11/12/dave-matthews-gogol-bordello-3d-concert-movies/http://www.cinematical.com/2009/11/12/dave-matthews-gogol-bordello-3d-concert-movies/#commentsFiled under: , , ,

Gogol BordelloAEG and Action 3D are betting on music lovers that will want to catch their favorite performers in a movie theater -- on the screen, that is. According to Variety, the two companies have already been getting footage from different festivals for their limited-run, 3D-only concert movies, which will be offered in a similar manner as U2 3D. The first series of movies will be footage of concerts from Dave Matthews (yay?), Relentless7, Ben Harper, and Gogol Bordello. The only group that sounds like it would wow music fans in 3D is Gogol Bordello, a gypsy punk band known for their outrageous live shows and songs like "Start Wearing Purple."

However, AEG is also behind the recent release of Michael Jackson's film This is It, along with Sony, which has made $186 million worldwide so far. While concert movies with built-in audiences like the Hannah Montana/Miley Cyrus: The Best of Both Worlds have been similarly successful, I'm not convinced that semi-random concert series will really put bottoms in seats. And for all you Phishheads, AEG has apparently already "filmed several 3D live sets of Phish from Festival 8 in Indio, Calif., in late October. According to [John Rubey, president of Network Live, a division of AEG Live], the company plans to roll out 'best of' edition from Lollapalooza and Austin City Limits as followups to the Matthews feature in 2010." So get your Birks and tie-dye ready to jam out, man!

I think it's a cool idea to offer people the chance to see their favorite bands up close and personal if they can't see them live, but there isn't anything to rival the actual live experience. Granted, you're not usually that close to the stage and some jerk just spilled beer on your shoes and someone else is singing along to every song and/or shouting "WOO!" in your ear, but that's all part of the concert experience, right?

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]]>3DAEGBen HarperBenHarperDave MatthewsDaveMatthewsGogol BordelloGogolBordelloHDMichael JacksonMichaelJacksonMiley CyrusMileyCyrusPhishRelentless 7Relentless7This Is ItThisIsItU2Jenni MillerThu, 12 Nov 2009 13:32:00 EST'Make-Out with Violence' For Free in L.A.!http://www.cinematical.com/2009/11/12/make-out-with-violence-for-free-in-l-a/http://www.cinematical.com/2009/11/12/make-out-with-violence-for-free-in-l-a/http://www.cinematical.com/2009/11/12/make-out-with-violence-for-free-in-l-a/#commentsFiled under: , , , , , , , , ,


Indie movie lovers of the greater Los Angeles area, take note of a wonderful gem from this year's SXSW festival that's coming your way. Make-Out with Violence is an angsty teenage zombie horror comedy that I caught last year at the Oxford Film Festival, and tonight - November 12 - it screens in Los Angeles. For free!

Ok, technically it's screening in Alhambra. But this one-night only engagement will likely be your only chance to see the underappreciated indie film that our own Scott Weinberg called "pretty damn good" - and if I may add my own endorsement, Make-Out with Violence is original and gorgeously shot, a great alternative to mainstream (i.e. made with way more money) films about either teenage life or zombies. The best part? Make-Out with Violence is about both of those things. (It's also got the most attractive zombie hottie of the year, with apologies to Zombieland's Amber Heard.)

Continue reading 'Make-Out with Violence' For Free in L.A.!

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]]>Deagol BrothersDeagolBrothersMake-Out with ViolenceMake-outWithViolenceJen YamatoThu, 12 Nov 2009 09:48:00 ESTDiscuss: What Will Everyone Else Think About 'Precious'?http://www.cinematical.com/2009/11/11/precious-movie-debate/http://www.cinematical.com/2009/11/11/precious-movie-debate/http://www.cinematical.com/2009/11/11/precious-movie-debate/#commentsFiled under: , , , , , ,

Oprah is pushing both Precious and the book it's based on, Push by Sapphire, on her show, and I'm seriously curious to know what her audience will think about it. How many people will be able to watch a film told from the point of view of an illiterate high schooler who is raped by her father, physically (and, in the book, sexually) abused by her mother, hates herself for not being white, has given birth to one child with Down's Syndrome who's nicknamed Mongo (short for Mongoloid), and is pregnant for a second time with her father's child?

Let's assume that Oprah's reach is strong enough and far enough to get her demographic to plunk down their eight to 12 dollars to see Precious - the Oprah Effect in full effect. (You can find out where and when Precious is playing near you on the official movie website.)

I'm not talking about critics and journalists or the people in big cities who like to participate in a friendly Oscar pool or want to be up on what was in the New York Times. They're already seeing the movie in droves; it made $1.8M in limited release its opening weekend. The latest numbers I could find on her demographic are from 2007, back when people were wondering if Oprah could help get a president elected. (Answer: Yes, she can.)

According to Nielsen via MSNBC, "Oprah's audience is predominantly female, white, and over the age of 55. Nationally 7.4 million people watch Oprah daily -- about 2.6% of American households. Four percent of American women (about 5.7 million) watch her daily, compared with 1.2% of men (1.7 million people). Overall, 2% of all 18- to 49-year-olds watch Oprah."

Continue reading Discuss: What Will Everyone Else Think About 'Precious'?

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]]>Gabourey SidibeGaboureySidibelee danielsLeeDanielsmariah careyMariahCareymarketingmoniqueoprahoscarPaula PattonPaulaPattonpreciousPrecious:BasedOnTheNovelPushBySapphirepushtyler perryTylerPerryJenni MillerWed, 11 Nov 2009 22:18:00 ESTIndie Roundup: Swanberg Sex, Veterans Day Docshttp://www.cinematical.com/2009/11/11/indie-roundup-swanberg-sex-veterans-day-docs/http://www.cinematical.com/2009/11/11/indie-roundup-swanberg-sex-veterans-day-docs/http://www.cinematical.com/2009/11/11/indie-roundup-swanberg-sex-veterans-day-docs/#commentsFiled under: , , , , , ,

Cinematical's Indie Roundup

Indie Roundup is your guide to what's new and cool in the indie film world.

On-Demand / Online Viewing. Love him or find him irritating, he's practically a category unto himself now. Joe Swanberg continues to explore the endlessly fascinating topic of twenty-something romantic relationships in Young American Bodies, a web series now on IFC.com. Season 4 debuted on Monday at IFC.com, and future episodes of the five-part series will premiere on a weekly basis. If you're a Swanberg fan, you'll want to check it out: it expands on his vision of sex and everything that leads up to it and follows afterward: elusive, kinda real, kinda fake, pretty messy.

In honor of Veterans Day, SnagFilms presents a selection of films appropriate for the occasion, covering a national shrine in Arlington: Field of Honor, dangerous missions in Baghdad Bound: Devil Dog Diaries, remembering the Battle for Midway, and so one. Truly, there's something for everyone to discover among the documentaries showcases. Similarly, Hulu has two films of interest: Jerabek, the tragic story of U.S. Marine Ryan Jerabek, and When I Came Home, which covers the troubling issue of homelessness among veterans.

Also newly available online: the enchanting "banjo player goes to Africa" doc Bela Fleck: Throw Down Your Heart (on iTunes) and a close-up (sorry) view of artist Chuck Close (also on iTunes).

Deals. As always, our friends at indieWIRE has been tracking recent acquisitions. The latest: romance My Year Without Sex (Strand Releasing, due spring 2010); drama The Good Heart, with Brian Cox and Paul Dano, directed by the very talented Dagur Kari (Magnolia Pictures, due next year); and social satire The Joneses, with David Duchovny and Demi Moore (Roadside Attractions, due spring 2010).

After the jump: more than Precious at the box office.

Continue reading Indie Roundup: Swanberg Sex, Veterans Day Docs

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]]>bela fleck throw down your heartBelaFleckThrowDownYourHeartchuck closeChuckClosejerabekjoe swanbergJoeSwanbergmy year without sexMyYearWithoutSexthe good heartthe jonesesTheGoodHeartTheJoneseswhen i came homeWhenICameHomeyoung american bodiesYoungAmericanBodiesPeter MartinWed, 11 Nov 2009 18:02:00 ESTIs the 'Avatar' Budget Approaching $500 Million?http://www.cinematical.com/2009/11/09/is-the-avatar-budget-approaching-500-million/http://www.cinematical.com/2009/11/09/is-the-avatar-budget-approaching-500-million/http://www.cinematical.com/2009/11/09/is-the-avatar-budget-approaching-500-million/#commentsFiled under: , , , , ,


Talking about film budgets is a tricky thing. Talking about the budget for Avatar is an even trickier thing. I recently mused about how Fox's huge gamble had caused four highly-anticipated films in China to flee from its shadow, poising the film on the precipice of a perfect storm of box office success in China that no previous film had been privy to. In doing so I invoked the ire of a good number of commenters, all of whom felt my budget-returning extrapolation from the news that Avatar is set to dominate in 80% of China's screens during its biggest blockbuster season wasn't just a wrong hypothetical, but downright ignorant.

While I still stand by the point of that post - that the hitherto unseen convergence of all the elements behind Avatar's release is going to see unprecedented box office in China - I'll concede that there is no chance that the film makes its budget back from China alone; not with the New York Times now claiming that the film's price tag is breaching the half-billion mark. As with all things budget, however, this number isn't as simple as it looks.

The $500 million is NYT's combination of the estimated $300 million it cost to actually produce the film, the approximately $150 million Fox plans to spend on global marketing alone, with the remaining $50 million being a cushion for the cumulative costs some of the film's partners have already ponied up (such as Avatar Day, whose bill was footed mostly by IMAX). However, even if their newly estimated number is accurate, that doesn't mean that Fox is on the line for the full half-billion.

Continue reading Is the 'Avatar' Budget Approaching $500 Million?

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]]>Avatarbox officeBoxOfficebudgetsDune EntertainmentDuneEntertainmentfeaturedFoxIngenious MediaIngeniousMediaJames CameronJamesCameronPeter HallMon, 09 Nov 2009 14:15:00 ESTIs Pakistan's Film Industry Dying?http://www.cinematical.com/2009/11/08/is-pakistans-film-industry-dying/http://www.cinematical.com/2009/11/08/is-pakistans-film-industry-dying/http://www.cinematical.com/2009/11/08/is-pakistans-film-industry-dying/#commentsFiled under: , , , ,



Left to right: Hand painted movie poster, Peshawar, Pakistan, 2006 (photo by Jim Henry); The Odeon Cinema, Lahore, Pakistan, 2009 (photo by Rahat Ali Dar for Los Angeles Times).

You've heard of Bollywood, Nollywood, and even Dollywood, but what about Lollywood? Based in Lahore, the second-largest city in Pakistan (and home to the U.S. Consulate), Lollywood produced more than 100 movies annually back in the 70s and 80s. Today, however, "Pakistani cinema has all but vanished," writes Alex Rodriguez in Los Angeles Times. Reportedly, the number of movie theaters in the country has declined from 1,100 in 1985 to just 120 today, and local film production has shrunk to fewer than a dozen movies each year. It's gotten so bad, the theater pictured above has been playing the same movie for three years. The same movie, and evidently not by popular demand!

Most of the usual suspects are blamed, with one that is unique to the country: "VCR, cable television, President Muhammad Zia ul-Haq's Islamization of Pakistani society, and finally DVD piracy." (Emphasis added.) While film industries have weathered changes in viewing habits, it appears that government edicts played a big role in the collapse of the industry: "Many cinemas were shut down, the rest were heavily taxed. New laws that required producers to have college degrees thinned the ranks of movie makers. The message Zia ul-Haq's government was sending to society was clear, [theater owner Jahanzaib] Baig says: 'We were being told that filmmaking was a vulgar and bad business to be in.'"

Continue reading Is Pakistan's Film Industry Dying?

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]]>lahorelollywoodpakistan film industryPakistanFilmIndustrypakistani independent filmsPakistaniIndependentFilmsPeter MartinSun, 08 Nov 2009 09:02:00 EST'Avatar' Could Earn Back Its Budget From China Alonehttp://www.cinematical.com/2009/11/05/avatar-could-earn-back-its-budget-from-china-alone/http://www.cinematical.com/2009/11/05/avatar-could-earn-back-its-budget-from-china-alone/http://www.cinematical.com/2009/11/05/avatar-could-earn-back-its-budget-from-china-alone/#commentsFiled under: , , ,


I don't know how many moons orbit Cameron's fantasy planet Pandora, but I'm just going to assume they're currently all heading for alignment. Screen Daily tells us that Avatar's two-months away release in China has caused no less than four of its own would-be blockbusters to hide from the giant shadow the blue cat-people will inevitably cast when they debut there January 1st. Zhang Yimou's remake of the Coen Brother's 1984 directorial debut Blood Simple has now decided to bow closer towards the beginning of December. Same goes for the road movie Wu Ren Qu, The Pang brother's fantasy/action sequel The Storm Warriors, and the sci-fi western Treasure Hunter (starring Jay Chou, who America will soon know as Kato in The Green Hornet).

Now I understand that few people who read Cinematical are going to be affected by the release date shift of those four films, but what makes this news worth paying attention to is the fact that these changes slot Avatar into a position in which it could conceivably earn its budget back from Chinese cinemas alone. The biggest time of the year for the Chinese box office is the three month window that covers Christmas, New Year, and the Chinese Lunar New Year and now that these four domestic films have made way for an international usurper, it means Avatar will be taking over a whopping 80% of China's screens during its most crucial box office season.

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]]>AvatarChinaFoxJames CameronJamesCameronPeter HallThu, 05 Nov 2009 13:32:00 ESTWhat's the State of Fox Searchlight?http://www.cinematical.com/2009/11/04/whats-the-state-of-fox-searchlight/http://www.cinematical.com/2009/11/04/whats-the-state-of-fox-searchlight/http://www.cinematical.com/2009/11/04/whats-the-state-of-fox-searchlight/#commentsFiled under: , , , , , , , , , ,

In the 2007 awards season, Fox Searchlight had two strong films in the mix with Juno and The Savages, and then in 2008, they dominated with Slumdog Millionaire and The Wrestler. As many other indie arms were folding (Paramount Vantage, Warner Independent, Picturehouse), Searchlight managed to keep things up on their end.

2009, however, hasn't been so kind to them. January's Notorious didn't do bad actually, though March's Miss March was indeed D.O.A. June's My Life in Ruins similarly underperformed, while July's Adam failed to catch on as that same month's (500) Days of Summer had. Post Grad was dumped in the doldrums of August, while Whip It failed to find a crowd in October.

Cut to now: Amelia has been effectively neutered as a ready-made Oscar contender, while Gentlemen Broncos (from the director of Napoleon Dynamite, which did particularly well for the same studio) is being pulled from wider release after this weekend after posting modest numbers on two screens and earning savage reviews for the most part.

With Miramax also facing tough times, it's a shame to see studios like these have an off-year, though there's time for a turn-around yet so far as Searchlight is concerned. Summer's summer release means the timing could work out to earn a push for Original Screenplay as a happy-go-lucky alternate to many dour contenders. This month's similarly light Fantastic Mr. Fox is an Animated Feature candidate at the very least, and -- according to THR -- the Jeff Bridges drama Crazy Heart is getting a last-minute test run of sorts at the moment to see if it can merit a move to be positioned for this year's race instead of next year's.

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]]>500 days of summer500DaysOfSummerameliaamelia earhartAmeliaEarhartcrazy heartCrazyHeartfantastic mr. foxFantasticMr.Foxfox searchlightFoxSearchlightgentlemen broncosGentlemenBroncosjeff bridgesJeffBridgesnapoleon dynamiteNapoleonDynamiteWilliam GossWed, 04 Nov 2009 22:02:00 ESTAnchor Bay Lands Broken Lizard's 'Slammin' Salmon'http://www.cinematical.com/2009/10/27/anchor-bay-lands-broken-lizards-slammin-salmon/http://www.cinematical.com/2009/10/27/anchor-bay-lands-broken-lizards-slammin-salmon/http://www.cinematical.com/2009/10/27/anchor-bay-lands-broken-lizards-slammin-salmon/#commentsFiled under: , ,

Fans of the comedy troupe Broken Lizard won't have to wait much longer to see the group's latest film, The Slammin' Salmon. Variety reports that Anchor Bay has acquired theatrical rights and will open the film on Dec. 11. No word yet on how wide the release will be, but all of Anchor Bay's previous titles (including Spread and While She Was Out) have been fairly limited.

Broken Lizard's first film, Super Troopers, premiered at Sundance in 2001 and earned a cult following when it hit theaters a year later. But the follow-up efforts, Club Dread and Beerfest, failed to recapture the magic. Slammin' Salmon, which premiered at Slamdance this year and subsequently played at South By Southwest, is a return to form. It's about a boxer-turned-restaurateur who bullies his waitstaff into a contest to see who can sell the most food in one night, all to help him repay a gambling debt; Cinematical's Eugene Novikov said the Broken Lizard guys demonstrate their "singular, goofy, off-the-wall sense of humor, refined and sharpened from their prior efforts."

Eugene wasn't alone, either. The film got several other rave reviews at SXSW, nearly all of them calling it the best Broken Lizard film to date. I was afraid the last two disappointments would doom this one, so I'm glad Anchor Bay stepped up and will let audiences see it. Best of all: now you can enjoy the insane magic that is Michael Clarke Duncan's performance. It truly is a thing of beauty.





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]]>broken lizardBrokenLizardslammin salmonSlamminSalmonEric D. SniderTue, 27 Oct 2009 15:03:00 ESTNetflix Watch Instantly Coming Soon to the Playstation 3http://www.cinematical.com/2009/10/26/netflix-watch-instantly-coming-soon-to-the-playstation-3/http://www.cinematical.com/2009/10/26/netflix-watch-instantly-coming-soon-to-the-playstation-3/http://www.cinematical.com/2009/10/26/netflix-watch-instantly-coming-soon-to-the-playstation-3/#commentsFiled under: , ,

Netflix subscribers rejoiced when Microsoft partnered with the incredibly popular online rental service a little shy of a year ago to bring Netflix Watch Instantly streaming service to the Xbox 360 free of charge to members with a Gold Xbox Live Subscription. This move boosted Netflix' subscriber base considerably while also being a feather in Microsoft's multimedia cap; the 360 may not have a Blu-ray drive, but it does allow a user to stream all of Netflix' WI library to their TV. Well, now that feather has lost a little bit of its luster, as Microsoft's exclusive arrangement with the movie provider is no longer all that exclusive.

Starting this November, Netflix Watch Instantly streaming will be available for Sony's Playstation 3, also completely free of charge to anyone who owns a PS3 and subscribes to at least the $8.99 per month Netflix plan (that would be the 1 DVD out at-a-time plan with unlimited instant watching). It's a deal that should give PS3 owners a great feeling, as they now have the most multi-media friendly console on the market. I'm not picking sides here, but the system will soon be boasting the impressive combination of A) Sony's own online rental service, B) a Blu-ray drive, C) a built in web-browser that allows users to access sites like YouTube and Hulu, D) unrestricted access to Netflix' Watch Instantly library, which includes a several thousand strong selection of movies and TV shows. Oh, and it plays games too.

Read on for more details, including how to enable your PS3 for the new service, which is slightly more complicated than a system update.

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]]>MicrosoftNetflick Watch InstantlyNetflickWatchInstantlyNetflixPlaystation 3Playstation3PS3Xbox 360Xbox360Peter HallMon, 26 Oct 2009 14:15:00 ESTLionsgate Signs a Deal That Could Make You Famoushttp://www.cinematical.com/2009/10/22/lionsgate-signs-a-deal-that-could-make-you-famous/http://www.cinematical.com/2009/10/22/lionsgate-signs-a-deal-that-could-make-you-famous/http://www.cinematical.com/2009/10/22/lionsgate-signs-a-deal-that-could-make-you-famous/#commentsFiled under: , , ,


If you're an aspiring filmmaker hoping to break into the studio system, you'll want to hop on over to Massify.com and create an account. If you're unfamiliar with the site, it's a portal that links together actors, writers, directors and producers for all kinds of in-community projects that result in everything from Internet shorts to TV commercials to actual feature-length films. Now Lionsgate has taken notice of the service, signing a deal with the startup that will hopefully lead to multiple theatrical films down the line.

The collaboration is being dubbed the Lionsgate Incubator Project (LINC) and will kick off later this year with a "high-concept, male-driven comedy short", no doubt inspired by the enormous success of The Hangover, that will serve as a proving ground for future development. If the end product satisfies Lionsgate, they'll usher it into their feature film development program the same way they would any other project.

Lionsgate isn't the first studio to take advantage of the Massify process, either. After Dark Films created the film Perkins 14 by running a competition through the site in which users submitted and then voted on scripts, cast, and even directors. And though Lionsgate doesn't cite ADF's success (Perkins 14 was one of the better reviewed titles of the last Horrorfest), it's clear that they see the bonus inherent to working with thousands of hungry talents. From the Massify press release on their new deal:

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]]>LINCLionsgateMassifyPeter HallThu, 22 Oct 2009 16:32:00 EST'Boondock Saints'' Troy Duffy and Billy Connolly Praise Fans, Blast Criticshttp://www.cinematical.com/2009/10/21/boondock-saints-troy-duffy-and-billy-connolly-praise-fans-bl/http://www.cinematical.com/2009/10/21/boondock-saints-troy-duffy-and-billy-connolly-praise-fans-bl/http://www.cinematical.com/2009/10/21/boondock-saints-troy-duffy-and-billy-connolly-praise-fans-bl/#commentsFiled under: , , , , , , ,

Last night at an all-media screening for The Boondock Saints II: All Saints Day, audience members - both fans who had lined up for blocks to get in to see the stars and director of this long-awaited sequel and journalists - were treated to a colorful Q&A session with the director of Boondock, Troy Duffy, and its stars Billy Connolly, Sean Patrick Flanery, and Norman Reedus.

After Duffy told the audience where the afterparty would be held, a journalist asked why there was so much time between movies. Duffy was somewhat discreet, replying, "There was a rather serious bit of litigation. We sued the people who financed Boondock I and a bunch of people that distributed it, as the movie was extremely financially successful and myself, the producers, and none of the actors saw a cent of that so me and CB [producer Chris Brinker] went after them."

He went on to add, "When you're writing for a sequel and there's a movie that's been deemed sacred ground by the fanbase that's the predecessor, you cannot do anything to tread on that, so it's a bit trickier than just being able to sit down and write something."

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]]>Billy ConnollyBillyConnollyharvey weinsteinHarveyWeinsteinnorman reedusNormanReedusovernightsean patrick flanerySeanPatrickFlanerythe boondock saintsthe boondock saints 2the boondock saints 2: all saints dayTheBoondockSaintsTheBoondockSaints2TheBoondockSaints2:AllSaintsDaytroy duffyTroyDuffyJenni MillerWed, 21 Oct 2009 12:45:00 EST